International Conference on Futures of Media 2017

“ Futurisms – Media, Arts & Sciences ”

Futurisms – Media, Arts & Sciences

More than any other human endeavor, art takes the openness of the future seriously; more than other activity, it envisions and embodies the future today. Digital technology has not only created novel research and discourse possibilities, it has also enabled art to activate the hitherto unimagined dimensions of sense and reality constructions, significantly affecting processes and products from film to television to writing to the visual and performing arts.

At our first Futures of Media Conference, we will take a closer look at the future visions of media that art has to offer. With reference to Giambattista Vico, we want to recall the poetic principle of science – poiesis in the sense of formation, of shaping – and also recall the fact that science itself is anything but objective, but always already a creator of the world.

Here, art is viewed as an inclusive practice with no high-low division between itself. However, it is enacted by cultural and creative industries which themselves warrant a closer look.  We invite scientists, students, cultural practitioners, and present and future artists to this transdisciplinary polylogue.

Possible areas of enquiry are: 

What is the relationship between art and science, and especially media theory? What are their possible areas of con-/divergence in the digital world?

Is the so-called “third culture” – the fusion of art and science – an ideal or reality? How poetic is science today – which kinds of work does it produce and in what waydo artists reflect their own production processes? How scientific is art today?

How does contemporary art reveal re-conceptualizations of the self and the world that break with traditional media perspectives? Which contemporary forms of self-expression has art generated, and how are these mirrored in self art (as for instance in ‘selfies’)?

How do the present digital conditions affect the work of art, and how are our modes of perception affected? Can – as Walter Benjamin once hoped – our media research on how art envisions and embodies the future today contribute to politics and activism?

How do contemporary artists shape the relationship between reality and virtuality, fact and fiction? Which blurred boundaries and new trends can be observed? Can hacking be observed as art? Which new genres or programs can be identified?

How do digital media affect art, and how does new media art affect the formats in which cultures and people create notions of identity?

What lessons can be drawn from “futures past” (Koselleck) – as proposed by both science and art, from now-faded visions of a formerly new time that has now become old? 

How does the digital replace the analogue and to what end? Does this move in itself change society, or is there a continuation of sorts at work?

How does globalization effect digital artistic production? Does it include or preclude post-colonial views? How so?

Are we really facing a global digital revolution? Or is the ‘global village’ nothing but wishful thinking, ignoring the digital divide between industrialized nations and the so-called third world? What about the “techno-illiterate artists” Guillermo Gómez-Pena speaks about, living south of the digital border? Are the debates around art and digital technology permeated by a “quiet ethnocentrism”?

How does the minimal level of government support for the arts in countries like the United States, and vice versa the support of major publicly-funded institutions in Europe affect the development of media arts?

Abstract Submission Process

In order to present at the conference, your abstract must first pass a double blind peer review. Upon payment of registration fees, your presentation will be confirmed.

Call for Papers

Abstract Submission Process

In order to present at the conference, your abstract must first pass a double blind peer review. Upon payment of registration fees, your presentation will be confirmed.

Abstracts submission: 10th July, 2017

  • Results of abstract reviews returned to authors: Usually within two weeks of submission
  • Full conference registration payment for all presenters: 7th September 2017
  • Full paper submission: 31st October 2017

 

How to Submit

  • Submit your abstract of no more than 250 words, choosing from the presentation formats listed below.
  • Submit well before the submission deadline in order to benefit from Early Bird rates.
  • Your abstract will normally be reviewed within two to four weeks after undergoing a double blind peer review.
  • If your abstract is accepted, you will be invited to register for the conference. Upon payment of the registration fee you will be sent a confirmation email receipt.